DATE

4/5/25

TIME

7:29 AM

Vocation #2: Being Creative?

I know I made it sound like that physics elective was the first time I ever learned about art, but that’s hardly the case. My mom was a physics major, but she ended up working for an art school, under the digital art department. I used to type all her powerpoints and course syllabus for a class she was teaching, it was about how to use photoshop. I was maybe ten or eleven. 

Some of the assignments were quite challenging, like creating highlights on an ice cube inside a cup of coca cola for lighting effects. I still remember some of it, I did try a few assignments, following the instructions exactly. It worked. However, when I was given a variation of the same assignment, I had no idea how to achieve that, even though I had just used all the same tools to create the assignment before. I knew I could only follow step-by-step instructions for it - I didn’t fully understand the point of each step. That’s when I thought maybe digital art was not for me. 

Later when I was fifth or sixth grade, I took another art class for half a year, it was a pencil sketching class. I was asked to imitate a pencil drawing, usually animals, sometimes tigers, sometimes lions, or cats. I was really good at imitating the drawing, extremely detailed, with a little bit of my personal style and twist. However, when I was asked to draw for myself, I had nothing I wanted to draw. That’s when I thought maybe I will never be an artist. This isn’t for me, I don’t even like sitting there and sketching, I thought. 

Around the same time, the headmaster of my class at the elementary school I was going to started this diary train activity. By the way, I recently found out it was called “Cultural Department Creative Kindergarten” (文化厅艺术幼儿园), maybe that’s why it was the only schooling experience I liked ever, outside of Tahoe. 

The diary train was essentially a notebook that was given to each row of kids to take turns to write diaries in, but also to showcase things they wanted to share with the rest of the “train members”. If I remember correctly, I was already getting either A++ or A+ on all the weekly writings I did, which I found out later to be extremely rare. Different from the weekly writings, this diary train is more casual, “be creative, draw, you must decorate it”, the headmaster, who’s also the literature teacher said. 

I took liberty and drew a bunch, I did it in colored pencils, colored crayons, color markers. I realized I like copying the look of neon signs or the fonts and marker paintings of poster designs of restaurants or cafes in Japan or Taiwan, which looked more or less like pop art. I liked it, I liked pop art. But I didn't think it was art, I thought it was poster design. Of course, the headmaster thought it was brilliant, she showed my work in front of the class often. Come to think of it, she made me known, I can write, I can draw, I can experiment, and it’s good. I’m sure it had a lot to do with my dad always giving her gifts under the table, but I still learned what I learned.

我知道我之前把那门物理选修课讲得好像是我第一次接触艺术,其实根本不是。

我妈是学物理的,但后来在一所艺术院校工作,在数码艺术系。她教的一门课是教学生怎么用 Photoshop 的,我大概十岁十一岁左右吧,经常帮她打她的 PPT 和课程大纲。她布置的一些作业挺难的,比如在可乐杯里的冰块上加高光,做出那种光影效果。我现在都还记得一些。我当时也试着做过几个作业,完全按步骤来的,还真做出来了。但当她把作业换个变体给我做,我就完全不知道怎么做了——即使我刚刚才用那些工具完成了原来的作业。我那时就知道:我只能按步骤模仿,根本不理解每一步的意义。我那时候就在想:数码艺术应该不太适合我吧。

后来,大概五六年级的时候,我又去上了一门画画课,学素描,学了半年左右。作业基本都是照着铅笔画临摹,画的内容大多是动物,有时候是老虎,有时候是狮子,也有时候是猫。我临摹得特别像,细节特别多,还会加一点我自己的风格和小变化。但当老师让我“自己画点什么”时,我发现我根本没什么想画的。我当时就觉得:这可能不是我该干的事,我不喜欢坐在那儿画画,这事不属于我。

大概也是那段时间,小学的班主任(也是语文老师)搞了一个叫“日记列车”的活动。对了,我最近才发现那个学校的全名叫“文化厅艺术幼儿园”,可能这就是为啥我唯一喜欢过的学校经历,除了 Tahoe,就是那儿。“日记列车”是一个传着写的笔记本,一排同学轮流写,每个人写完之后可以在上面贴一些想展示给大家的东西。我记得那时候我的每周作文基本都是 A++ 或 A+,后来才知道这种评分很少见。不过日记列车跟周记不太一样,它更自由。老师说:“要有创意、可以画画、一定要装饰!”她就是这么说的。我就开始瞎画,画了很多,用彩铅、蜡笔、马克笔。我发现我喜欢画那种霓虹灯的字体效果,还有日本或台湾街头餐厅、咖啡馆那种手绘海报风格的字和图,看起来有点像波普艺术。我挺喜欢的,我喜欢波普艺术。但我那时不觉得它是“艺术”,我觉得那只是“广告设计”。

当然,我的语文老师觉得我画得超棒,经常把我的作品拿出来在全班展示。现在回头想想,她是第一个让我“被看见”的人。她让我意识到,我能写、能画、能试着去搞点实验性的东西,而且这些是好的。当然,我爸是不是总在课后送她礼物我也不知道,估计有吧。但不管怎样,我还是学到了点东西。

我知道我之前把那门物理选修课讲得好像是我第一次接触艺术,其实根本不是。

我妈是学物理的,但后来在一所艺术院校工作,在数码艺术系。她教的一门课是教学生怎么用 Photoshop 的,我大概十岁十一岁左右吧,经常帮她打她的 PPT 和课程大纲。她布置的一些作业挺难的,比如在可乐杯里的冰块上加高光,做出那种光影效果。我现在都还记得一些。我当时也试着做过几个作业,完全按步骤来的,还真做出来了。但当她把作业换个变体给我做,我就完全不知道怎么做了——即使我刚刚才用那些工具完成了原来的作业。我那时就知道:我只能按步骤模仿,根本不理解每一步的意义。我那时候就在想:数码艺术应该不太适合我吧。

后来,大概五六年级的时候,我又去上了一门画画课,学素描,学了半年左右。作业基本都是照着铅笔画临摹,画的内容大多是动物,有时候是老虎,有时候是狮子,也有时候是猫。我临摹得特别像,细节特别多,还会加一点我自己的风格和小变化。但当老师让我“自己画点什么”时,我发现我根本没什么想画的。我当时就觉得:这可能不是我该干的事,我不喜欢坐在那儿画画,这事不属于我。

大概也是那段时间,小学的班主任(也是语文老师)搞了一个叫“日记列车”的活动。对了,我最近才发现那个学校的全名叫“文化厅艺术幼儿园”,可能这就是为啥我唯一喜欢过的学校经历,除了 Tahoe,就是那儿。“日记列车”是一个传着写的笔记本,一排同学轮流写,每个人写完之后可以在上面贴一些想展示给大家的东西。我记得那时候我的每周作文基本都是 A++ 或 A+,后来才知道这种评分很少见。不过日记列车跟周记不太一样,它更自由。老师说:“要有创意、可以画画、一定要装饰!”她就是这么说的。我就开始瞎画,画了很多,用彩铅、蜡笔、马克笔。我发现我喜欢画那种霓虹灯的字体效果,还有日本或台湾街头餐厅、咖啡馆那种手绘海报风格的字和图,看起来有点像波普艺术。我挺喜欢的,我喜欢波普艺术。但我那时不觉得它是“艺术”,我觉得那只是“广告设计”。

当然,我的语文老师觉得我画得超棒,经常把我的作品拿出来在全班展示。现在回头想想,她是第一个让我“被看见”的人。她让我意识到,我能写、能画、能试着去搞点实验性的东西,而且这些是好的。当然,我爸是不是总在课后送她礼物我也不知道,估计有吧。但不管怎样,我还是学到了点东西。

Feel free to share if you find this helpful

Feel free to share if you find this helpful

Feel free to share if you find this helpful

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。