Resume

EXPERIENCEs

Territory Studio | Interactive Media Studio | San Francisco, CA, USA (Atlas)
Hired as Associate Producer, credited as Production Coordinator

02/2023 - 12/2023

• Managed project lifecycles (joined ⅓ of the way, and finished till final delivery; there were two cycles)

• Led cross-functional teams (IT, art director, artists and the other producer)

• Managed clients (weekly team meetings; daily slack/email/call communications)

• Collaborated with other VFX studios (Scanline VFX, MPC, ILM, Cantina Creative)

• Asset management, performed adept oversight of the asset pipelines, releases, and versioning (all files/assets land in my inbox; I control all the ins-and-outs, as well as asset management) 

• Calendar management (for art director, artists and meetings with clients)

• Notes management (to make sure all notes from the client are addressed, in-time, and accurately; also help with artists to interpret notes from time to time)

CoSA VFX  | VFX Facility | North Hollywood, California, USA (One Piece)
Senior VFX Coordinator

12/2022 - 02/2023

• Oversaw and manage a robust portfolio of 300+ deliverables

• Streamlined asset ingestion and management workflows (ran ingestion, file structure)

• Facilitated daily review cycles (artists, supervisor, producer)

• Delivered finalized assets with exceptional accuracy (transcoded deliverables)

Barnstorm VFX  | Boutique VFX Facility | Burbank, California, USA (Wakanda Forever, Antman, Star Trek)
VFX Coordinator

06/2022 - 12/2022

• Basically same as above

Myth VFX | Chinese Feature Films | Qingdao, China (Fengshen Trilogy) (I speak mandarin)

VFX Assistant

05/2018 - 08/2019                  

• Spearheaded and owned the end-to-end on-set VFX production process (collaborating with costume, set design, prop, location, previs/techvis vendors, cast, ADs, etc; the crew had over 2000 people)

• Faced unprecedented challenges requiring innovative solutions (as many workflows lacked prior examples)

• Managed an extraordinary workload (12~14 hours a day during principle photography)

• Streamlined data management workflows (built a database, managed it)

• Led the integration of a diverse team (visa acquiring, travel booking, translating etc)

• The first movie came out, did ok in China; second and third are still yet to be released

Noitom Technology and Motion Picture Ltd. | MoCap Startup | Shanghai, China (I speak mandarin)

VR Producer

11/2016 - 09/2017

• Directed the full lifecycle development and delivery of immersive VR experiences (2 products: 1. Previs for a feature film; 2. Mixed-reality virtual camera rendered short film)

• Defined and articulated detailed project scopes (ran production meetings)

• Delivered final projects on time and to the highest standards

• The company eventually went out of business, perhaps too ahead of its time; 2016 was quite early

SKILLs 

Production Processes - ShotGrid, RV, CineSync, Frame IO

MoCap/VR - OptiTrack, Oculus, Noitom Mocap

Production - StudioBinder, Movie Magic 

Data Wrangling - FileMaker, FACS 

EDUCATION

Yali Middle School + High School

South Tahoe High School

The Ohio State University (physics + psychology)

REFERENCEs

Marti Romances, Co-owner of Territory Studio

Douglas Hans Smith, VFX Supervisor, 69th Academy Awards for Best Visual Effects

Jeremy Ball, VFX Supervisor, 2017 Emmy Nomination for Best Visual Effects

PROJECTs (how it’s been)

2025:

Not sure how to start the year yet.

2024:

Gap year - living life (got married, started writing a screenplay, and building an app)

2023:

Atlas: Netflix Original Film || Client: Netflix (For Territory Studio)

One Piece(TV Series): Netflix || Client: Netflix (For CoSA VFX)

2022:

Star Trek: Strange New Worlds, season 2 || Client: Paramount Original (For Barnstorm VFX)

Star Trek: Discovery, season 5 || Client: Paramount Original (For Barnstorm VFX)

Black Panther: Wakanda Forever || Client: Marvel Studios (For Barnstorm VFX)

Ant-man and the Wasp: Quantumania || Client: Marvel Studios (For Barnstorm VFX)

2021:

UCLA Producing Program (for legal status in the States, and recharge)

2020:

Stuck in Covid, while visiting Los Angeles, CA.

2019-2018:

Creation of the Gods I: Kingdom of Storms || Client: Myth VFX (For Myth VFX), mostly in Qingdao.

2017: 

VR/MR, virtual camera research at Noitom, Shanghai. 

2016: 

Graduated! 

2016-2011:

THE Ohio State University, met my husband.

2011-2010: 

Exchange student in South Tahoe High School, CA.

2010-2008:

Yali High School, Changsha, China. 

2008-2006: 

Yali Middle School, Changsha, China. 

2006-2000: 

Yuying Elementary School, Changsha, China. 

1993: 

Born!