Parties

I am a shy person. But that’s if I like you and I care if you like me back or not. I’m a slow person. But only if I’m trying to get to know you, and would like to be comfortable around you. I realized, after all the clubbing and partying, that if I don’t know you, I really don’t care how you see me at all. 

I’d go to this club back then, which I believe was called Mosaik. I’m not sure what all the hype was all about, but some kids I knew were working there as bouncers. They’d ask for my ID, I’d only be able to pull out a South Tahoe High School student ID. My floormates would let me in anyways. I’d take the shots they hand me, down them, watch the girls dance with adult men that probably shouldn’t be there on a Thursday night. I’d be bored, sit on the side. I’d do it again, because everyone seems to be enjoying it. I went on and off until the end of freshman year. 

I didn’t have to binge drink, but I would always do. I wasn’t attracted to white guys, but I’d dance with them anyway. They didn’t know I was barely 18, and I didn’t have to know where they work. It became more or less a social experiment. Who are these people? I don’t know. How did I get here? I don’t know. When do I uber home? Oh, the girl I came with went home with some guy she just met. Let me uber home anyway, or should I just bus home? 

I’d get back to Morrison past midnight, cook instant ramen while worrying about gaining weight the following morning, then go to the study room, eat while chatting with whoever 's still in there. There’s always usually at least a familiar face or two. Whoevers up would be struggling with chemistry, or calculus. We’d chat about life, future, sometimes stay up until the sunrise.


ChatGPT 翻译:

我是一个害羞的人。但那是如果我喜欢你,并且我在乎你是否也喜欢我。我是一个慢热的人。但只有当我在试图了解你,并希望能在你身边感到自在的时候。我意识到,在经历了所有那些蹦迪和派对之后,如果我不认识你,那我真的一点也不在乎你怎么看我。

我那时候会去一个夜店,我记得好像叫 Mosaik。我不知道它到底为什么那么火,但我认识的一些人在那里做保安。他们会跟我要 ID,而我通常只能掏出一张南太浩高中的学生证。我的楼层朋友们还是会让我进去。我会接过他们递来的 shot,一口喝掉,看着女孩们和一些成年男人跳舞,而那些男人大概不该在周四晚上出现在这种地方。我会感到无聊,坐在一边。我会再来一次,因为大家好像都很享受。我一直断断续续地去,直到大一结束。

我并不需要酗酒,但我总是会。我并不被白人男生吸引,但我还是会和他们跳舞。他们不知道我才刚满 18,我也不需要知道他们是做什么的。这变得更像是一种社交实验。这些人是谁?我不知道。我是怎么来到这里的?我不知道。我什么时候打 Uber 回家?哦,那个和我一起来的女生刚刚和一个刚认识的男的一起走了。那我就自己打车回去?还是坐公交?

我会在半夜回到 Morrison,煮一碗方便面,同时担心第二天会不会长胖,然后走进学习室,一边吃一边和还在那里的某个人聊天。那里通常总会有一两个熟面孔。谁还醒着,谁就在为化学或者微积分挣扎。我们会聊生活、聊未来,有时候会一直待到天亮。

Feel free to share if you find this helpful

Feel free to share if you find this helpful

Feel free to share if you find this helpful

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。