DATE

3/19/25

written by

Xiaoxin Sun

TIME

3:05 AM

LOCATION

Oakland, CA

Who I am #9. 较真 / Taking it Seriuosly

每次我们(我、Jeremy、Doug)较真,制片们(Tiffany、Wendy)就会开始翻白眼,又要把这些“奇怪”和“难以理解”的需求丢给导演了,而且她们需要承担转达、和想办法达成该需求的责任,以至于其他制片都不知道我作为一个制片,我是站在她们那边吗?还是视效监督那边?我感到很抱歉,其实真的只是对事不对人。

当我们组的制片确实是个苦差事,但视效监督这边也从来不放弃。他们总会提出,这样做的话会那样吗?如果这样的话,假设这样了怎么办?假设那样了怎么办?这是你想承担的风险吗?导演每次都会脸一阵红一阵白(抱歉导演、你确实这样了),但之后还是会默默的、生气的的听取意见、下达安排。有人觉得这样的导演也很可爱。

Every time we (me, Jeremy, Doug) got serious about something, the producers (Tiffany, Wendy) would start rolling their eyes—great, another one of those “weird” and “hard to understand” requests that they’d now have to deliver to the director. And of course, they’d be the ones responsible for conveying it and figuring out how to make it happen.

Eventually, the other producers weren’t even sure whose side I was on—was I with them, as a producer? Or with the VFX supervisors? I felt bad about it, honestly. It really was never personal—it was always about the work. Being the producer on our team was definitely a tough gig. But the VFX supervisors never let things go either. They’d constantly raise new questions: Would doing this lead to that? What if we assume it goes this way—then what? What if it goes the other way? Is that a risk you’re willing to take? Every time, the director’s face would flush red, then pale (sorry, director, but you did turn all kinds of colors)—and then, quietly, sometimes angrily, he’d take it in, and adjust the plan accordingly. Some people thought that kind of director was actually pretty adorable.

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I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。