DATE

3/20/25

written by

Xiaoxin Sun

TIME

LOCATION

Oakland, CA

Who I am #16: 梦想 / dreams

DATE

3/20/25

written by

Xiaoxin Sun

TIME

LOCATION

Oakland, CA

Who I am #16: 梦想 / dreams

DATE

3/20/25

written by

Xiaoxin Sun

TIME

LOCATION

Oakland, CA

Who I am #16: 梦想 / dreams

追求钱还是追求梦想似乎是人们总问我的问题:你要现实一点,不要拍电影、不要学艺术,那不是可以赚钱的工作。还好电影工业在中国全面爆发之后,再也没有人质疑电影赚钱的能力。于是他们又开始说,只有主创才有客观收入,概率太小了,你做不到。我说,我想当导演。

我想当导演,这到底是为什么呢?我很痴迷电影,我痴迷看、我痴迷读、我痴迷看别人拍、我后来越来越觉得,如果我能拍就好了,不知道如果我这样会怎么样、那样会怎么样、这样那样会怎么样。这个镜头如果不这样,他如果不从那边走过来,会怎样?我可以试吗?可以上手吗?

我从没试过可卡因,但据说就是极度兴奋、想法源源不断的感觉,那我想我当时大概high on cocaine,以至于后来住院医生问我,有没有连续很长一段时间极度兴奋、睡不着觉、觉得自己是世界上最强大、厉害的人,我支支吾吾,还真有。我想是目前大半的人生都太抑郁,导致于放开手脚的时候,收不住,也就是我爸常说的我“不懂节制”。这直接被医生称作第一个manic episode,他问我持续了多久。我支支吾吾,不确定是应该报高一点还是报低一点,我决定说实话:大概大半年?他说,超过2周就可以确诊了。我追问,那你怎么知道我有躁郁呢,你又不在场。他说,通过你的描述、如果都是真的,一定是。我想,虽然学过记忆是主观的、不准确的,但会那么不准确吗?我不确定。

我想当导演,当时high on可卡因的我显然完全收不住我的浓厚兴趣。我真的不是想假装好学生,头一个月每天在办公室待到半夜的,是因为我真的看不懂剧本。众多的人名、典故、古代祭祀的乐器等,说来惭愧,我从没读过《封神演义》。也不太确定这里面的各种人物的服装设计、视效设计为什么要具体做成某些特别的模样。这直接导致我很长一段时间里,开跨部门会议的时候,总是听不懂到底大家在讨论什么。我很费力,人物名字不记得、具体场景不记得、有口音听不懂,直接导致老板和同事大翻白眼。我也没意料到,我以为我中文英文都会应该没什么问题才对。我只好开始大看特看剧本。我还没开始见到我想见的东西呢,可不能这么快就给辞退了。


ChatGPT Translation:

People always ask me the same question:

Are you chasing money, or chasing your dreams?

“Be realistic,” they say.

“Don’t make films, don’t study art—that’s not a job that makes money.”


Luckily, after China’s film industry exploded, no one really questions whether filmmaking can be profitable anymore.

So they shifted to a new line:

“Only core creatives make money. The odds are too low. You can’t do it.”

And I said, I want to be a director.


Why do I want to be a director?

I’m obsessed with film.

Obsessed with watching, reading, watching others direct.

And then, more and more, I started thinking—

What if I could direct?

What would happen if I tried this? Or that? Or this and that?

What if the camera didn’t move that way?

What if he didn’t walk in from over there?

Could I try? Could I get my hands on it?


I’ve never tried cocaine, but from what I’ve heard—it’s that feeling of extreme excitement, of ideas pouring out non-stop.

If that’s true, then I must’ve been high on cocaine back then.

Because when I was later hospitalized, the resident doctor asked if I’d ever had a period where I felt incredibly excited for a long time, couldn’t sleep, felt like the most powerful and capable person in the world.

I hesitated… but yeah, I had.

I think I was just so depressed for most of my life, that when I finally let go, I couldn’t stop.

Which is what my dad always says—I “don’t know moderation.”

The doctor marked it as my first manic episode.

He asked how long it lasted.

I hesitated again—should I report high or low?

I decided to tell the truth: around half a year, maybe more.

He said, “More than two weeks is enough for a diagnosis.”


I asked, “How do you know I have bipolar disorder? You weren’t there.”

He said, “If everything you just described is true, then you definitely do.”

I thought: yes, I studied how memory is subjective and flawed…

But that flawed?

I wasn’t sure.


I wanted to be a director.

And that version of me—high on creative cocaine—clearly couldn’t hold back my passion.

I wasn’t trying to play the good student or impress anyone.

That first month, I stayed in the office until midnight every day because I genuinely couldn’t understand the script.


So many names, references, ritual instruments from ancient times.

To be honest, I’d never read The Investiture of the Gods.

I didn’t understand why the costume designs, the VFX, needed to be the way they were.

So for the longest time, in cross-department meetings, I had no clue what people were even talking about.


It was hard.

I couldn’t remember character names, couldn’t remember scenes, couldn’t understand the accents—

And that led to massive eye rolls from my boss and coworkers.


I didn’t expect that.

I thought, I know Chinese and English—shouldn’t I be fine?


So I started reading the script.

A lot.

I hadn’t even gotten to the part I really wanted to see—

No way was I going to get fired that early.

追求钱还是追求梦想似乎是人们总问我的问题:你要现实一点,不要拍电影、不要学艺术,那不是可以赚钱的工作。还好电影工业在中国全面爆发之后,再也没有人质疑电影赚钱的能力。于是他们又开始说,只有主创才有客观收入,概率太小了,你做不到。我说,我想当导演。

我想当导演,这到底是为什么呢?我很痴迷电影,我痴迷看、我痴迷读、我痴迷看别人拍、我后来越来越觉得,如果我能拍就好了,不知道如果我这样会怎么样、那样会怎么样、这样那样会怎么样。这个镜头如果不这样,他如果不从那边走过来,会怎样?我可以试吗?可以上手吗?

我从没试过可卡因,但据说就是极度兴奋、想法源源不断的感觉,那我想我当时大概high on cocaine,以至于后来住院医生问我,有没有连续很长一段时间极度兴奋、睡不着觉、觉得自己是世界上最强大、厉害的人,我支支吾吾,还真有。我想是目前大半的人生都太抑郁,导致于放开手脚的时候,收不住,也就是我爸常说的我“不懂节制”。这直接被医生称作第一个manic episode,他问我持续了多久。我支支吾吾,不确定是应该报高一点还是报低一点,我决定说实话:大概大半年?他说,超过2周就可以确诊了。我追问,那你怎么知道我有躁郁呢,你又不在场。他说,通过你的描述、如果都是真的,一定是。我想,虽然学过记忆是主观的、不准确的,但会那么不准确吗?我不确定。

我想当导演,当时high on可卡因的我显然完全收不住我的浓厚兴趣。我真的不是想假装好学生,头一个月每天在办公室待到半夜的,是因为我真的看不懂剧本。众多的人名、典故、古代祭祀的乐器等,说来惭愧,我从没读过《封神演义》。也不太确定这里面的各种人物的服装设计、视效设计为什么要具体做成某些特别的模样。这直接导致我很长一段时间里,开跨部门会议的时候,总是听不懂到底大家在讨论什么。我很费力,人物名字不记得、具体场景不记得、有口音听不懂,直接导致老板和同事大翻白眼。我也没意料到,我以为我中文英文都会应该没什么问题才对。我只好开始大看特看剧本。我还没开始见到我想见的东西呢,可不能这么快就给辞退了。


ChatGPT Translation:

People always ask me the same question:

Are you chasing money, or chasing your dreams?

“Be realistic,” they say.

“Don’t make films, don’t study art—that’s not a job that makes money.”


Luckily, after China’s film industry exploded, no one really questions whether filmmaking can be profitable anymore.

So they shifted to a new line:

“Only core creatives make money. The odds are too low. You can’t do it.”

And I said, I want to be a director.


Why do I want to be a director?

I’m obsessed with film.

Obsessed with watching, reading, watching others direct.

And then, more and more, I started thinking—

What if I could direct?

What would happen if I tried this? Or that? Or this and that?

What if the camera didn’t move that way?

What if he didn’t walk in from over there?

Could I try? Could I get my hands on it?


I’ve never tried cocaine, but from what I’ve heard—it’s that feeling of extreme excitement, of ideas pouring out non-stop.

If that’s true, then I must’ve been high on cocaine back then.

Because when I was later hospitalized, the resident doctor asked if I’d ever had a period where I felt incredibly excited for a long time, couldn’t sleep, felt like the most powerful and capable person in the world.

I hesitated… but yeah, I had.

I think I was just so depressed for most of my life, that when I finally let go, I couldn’t stop.

Which is what my dad always says—I “don’t know moderation.”

The doctor marked it as my first manic episode.

He asked how long it lasted.

I hesitated again—should I report high or low?

I decided to tell the truth: around half a year, maybe more.

He said, “More than two weeks is enough for a diagnosis.”


I asked, “How do you know I have bipolar disorder? You weren’t there.”

He said, “If everything you just described is true, then you definitely do.”

I thought: yes, I studied how memory is subjective and flawed…

But that flawed?

I wasn’t sure.


I wanted to be a director.

And that version of me—high on creative cocaine—clearly couldn’t hold back my passion.

I wasn’t trying to play the good student or impress anyone.

That first month, I stayed in the office until midnight every day because I genuinely couldn’t understand the script.


So many names, references, ritual instruments from ancient times.

To be honest, I’d never read The Investiture of the Gods.

I didn’t understand why the costume designs, the VFX, needed to be the way they were.

So for the longest time, in cross-department meetings, I had no clue what people were even talking about.


It was hard.

I couldn’t remember character names, couldn’t remember scenes, couldn’t understand the accents—

And that led to massive eye rolls from my boss and coworkers.


I didn’t expect that.

I thought, I know Chinese and English—shouldn’t I be fine?


So I started reading the script.

A lot.

I hadn’t even gotten to the part I really wanted to see—

No way was I going to get fired that early.

Feel free to share if you find this helpful

Feel free to share if you find this helpful

Feel free to share if you find this helpful

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。