DATE

4/5/25

TIME

4:48 AM

Vocation #6: Art is life

Art is life. Art is an outward expression of the experience of life in one shape or another. Whether it’d be confusion, frustration, sadness, anger, it’s whatever makes you want to scream, cry, read, or write. Whatever conclusions you draw from another person’s art is also part of art, your responses are part of art. After realizing what it meant to direct in 2018, I decided I did want to choose filmmaking as the craft of my choice for self-expression. Before that, I didn't even notice I had a need for self-expression. I finally realized that I liked dancing for self-expression, that I liked reading for learning / exploring, that I liked motion pictures for entertainment, but I enjoy art for therapy. 

Art was a need, not a want, for emotional stability and self-help therapy. When I see their anger, their pain, how excruciating that might have been, it does bring me relief and peace. When I see novel ways of constructing whatever concepts they might be trying to construct the piece around, I also get entertained. Renaissance paintings and pre-impressionism are extremely impressive, however it’s a language I understand but don’t speak. Modern art is more like first nature, I can use it, choosing a modern medium such as film with less than 130 years of history is quite fitting. 

Toward the end of the 19th century, people were obsessed with the spectacle of moving images. This was the genesis of motion pictures, a spectacle. In Jordan Peele’s sophomore film Nope, he discusses this phenomenon of a spectacle. People came to theaters expecting a spectacle for a while, not art, drama, or emotional catharsis. In 1894, the Lumiere brothers held the first public screening in Paris with short reels like Arrival of a Train at La Ciotat and Workers Leaving the Factory. That was generally considered the first public screening of motion pictures. I need to read more into this, but I was under the impression that the Lumiere brothers came from a very wealthy family. Since the genesis of motion pictures, it was something invented for fun, screened for fun, and people came for fun. I like fun.

It didn’t take long for motion pictures to evolve to having colors, sound, visual effects, special makeup and all that. It became a medium for narrative storytelling. I like hearing stories, and I like telling stories. It started as therapy, continued as entertainment, now grew into a profession because it has allowed me to survive in such a competitive modern world without feeling drained spiritually, only physically, emotionally, politically. But I was going to be drained in that way regardless, let me have my spirit so I can at least hold on.

艺术就是生活。

艺术是生活经验的一种外化表达,无论它以什么样的形式呈现。可以是困惑、沮丧、悲伤、愤怒,是那些让你想尖叫、想哭、想读、想写的东西。你从别人的艺术作品中得出的任何结论,本身也都是艺术的一部分,你的反应也是艺术的一部分。

2018年我终于理解“导演”到底意味着什么,也是在那时我决定,电影是我想选择的表达方式。在那之前,我甚至没有意识到自己有“表达的需要”。

我后来才意识到,我喜欢跳舞,是因为它能让我表达自己;我喜欢读书,是为了学习和探索;我喜欢看电影,是因为好玩;但我真正需要艺术,是因为它像一种心理治疗。

艺术对我来说是“需求”而不是“想要”。它是我情绪稳定和自我疗愈的方式。当我看到别人作品里的愤怒、痛苦,那种“我无法想象他们是怎么挺过来的”那种东西,反而会让我感到平静、获得释放。而当我看到他们用非常新颖的方式构造一个概念,我也会被娱乐到。文艺复兴和印象派之前的画作当然很厉害,我能看懂,但我不会说那种语言。而现代艺术就像是母语,我能用它。选择电影这种还不到130年历史的媒介,刚好适合我。

19世纪末,大家开始着迷于“移动影像”这个奇观。这就是“电影”的起点,本质上就是“奇观”。Jordan Peele 的第二部作品《Nope》里有讨论过这个“奇观”的概念。早期观众进电影院,是为了看热闹,不是为了看艺术、戏剧、情绪释放。1894年,卢米埃尔兄弟在巴黎搞了第一次公开放映,像是《火车进站》《工厂下班》这种短片,一般被认为是电影史上第一次公开放映。我还没认真查,但好像他们家很有钱。从一开始,电影就是被当成“好玩”的东西发明出来的,也是为了好玩而放映的,大家来看也就是图个好玩。我喜欢好玩。

电影很快就进化了:有颜色,有声音,有视觉效果,有特效妆。有叙事,有故事。我喜欢听故事,也喜欢讲故事。对我来说,一开始它是疗愈,后来是娱乐,现在变成了一个职业。因为它让我在这个竞争极其激烈的现代社会里活下来了——没有在精神层面被掏空,只有在身体上、情绪上、政治上被掏空。

但这些被掏空我本来也无可避免。

那至少,把我的“灵魂”留给我,

好让我还能抓住点什么。

艺术就是生活。

艺术是生活经验的一种外化表达,无论它以什么样的形式呈现。可以是困惑、沮丧、悲伤、愤怒,是那些让你想尖叫、想哭、想读、想写的东西。你从别人的艺术作品中得出的任何结论,本身也都是艺术的一部分,你的反应也是艺术的一部分。

2018年我终于理解“导演”到底意味着什么,也是在那时我决定,电影是我想选择的表达方式。在那之前,我甚至没有意识到自己有“表达的需要”。

我后来才意识到,我喜欢跳舞,是因为它能让我表达自己;我喜欢读书,是为了学习和探索;我喜欢看电影,是因为好玩;但我真正需要艺术,是因为它像一种心理治疗。

艺术对我来说是“需求”而不是“想要”。它是我情绪稳定和自我疗愈的方式。当我看到别人作品里的愤怒、痛苦,那种“我无法想象他们是怎么挺过来的”那种东西,反而会让我感到平静、获得释放。而当我看到他们用非常新颖的方式构造一个概念,我也会被娱乐到。文艺复兴和印象派之前的画作当然很厉害,我能看懂,但我不会说那种语言。而现代艺术就像是母语,我能用它。选择电影这种还不到130年历史的媒介,刚好适合我。

19世纪末,大家开始着迷于“移动影像”这个奇观。这就是“电影”的起点,本质上就是“奇观”。Jordan Peele 的第二部作品《Nope》里有讨论过这个“奇观”的概念。早期观众进电影院,是为了看热闹,不是为了看艺术、戏剧、情绪释放。1894年,卢米埃尔兄弟在巴黎搞了第一次公开放映,像是《火车进站》《工厂下班》这种短片,一般被认为是电影史上第一次公开放映。我还没认真查,但好像他们家很有钱。从一开始,电影就是被当成“好玩”的东西发明出来的,也是为了好玩而放映的,大家来看也就是图个好玩。我喜欢好玩。

电影很快就进化了:有颜色,有声音,有视觉效果,有特效妆。有叙事,有故事。我喜欢听故事,也喜欢讲故事。对我来说,一开始它是疗愈,后来是娱乐,现在变成了一个职业。因为它让我在这个竞争极其激烈的现代社会里活下来了——没有在精神层面被掏空,只有在身体上、情绪上、政治上被掏空。

但这些被掏空我本来也无可避免。

那至少,把我的“灵魂”留给我,

好让我还能抓住点什么。

Feel free to share if you find this helpful

Feel free to share if you find this helpful

Feel free to share if you find this helpful

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。