DATE

3/11/25

TIME

5:03AM

written by

Xiaoxin Sun

LOCATION

Oakland, CA

我真的好喜欢这首歌(自言自语版)/ I really like this song, talking to myself ver.

burger pop

DATE

3/11/25

TIME

5:03AM

written by

Xiaoxin Sun

LOCATION

Oakland, CA

我真的好喜欢这首歌(自言自语版)/ I really like this song, talking to myself ver.

burger pop

DATE

3/11/25

TIME

5:03AM

written by

Xiaoxin Sun

LOCATION

Oakland, CA

我真的好喜欢这首歌(自言自语版)/ I really like this song, talking to myself ver.

burger pop

我有点喜欢这首歌,说实话,我从没留意过多少中文歌手,只是最近好像确实有些优秀的歌手,spotify一直推送中文歌手给我,我就发现了这首歌,汉堡黄的《乌鸦》。我去找了下这里面这些风格都是哪些人,我一首都没听过,感觉有点奇怪,有点现代,但又有点千禧年的那种网络歌手的感觉(这是千禧年吗?我不太确定,就是很复古,但不知道是哪里复古),有点新旧结合的感觉,感觉很有意思。在中国,好像最近很流行新旧结合,确实结合的很好。

虽然我真的不喜欢她的歌词,但是也瑕不掩瑜。她的封面我也很喜欢,也是汉堡黄自己选的,都非常的体现她的个性、风格和喜好。我很喜欢她所有的选择,很风格化,很强烈的个人性格,真的让我耳目一新,我觉得这些女歌手真的未来可期。太厉害了。拍手。

说起湖南人, 最近居然莫名其妙在亚洲艺术博物馆看到齐白石的画,我真的觉得有点奇怪,我真的从来不去那个博物馆,这是我爸来了,我就上那个网站去看了一下,发现居然有齐白石?我真的觉得很奇怪,齐白石来这里做什么?但是因为那个周六居然不要门票,我们刚搜到就立刻去了。赚翻。我真的觉得齐白石的画就是很基础的山水画,但是为了装逼,还是猛发一顿ig,因为有的人总觉得我们没文化,我要炫耀。

说实话,我对这篇中文博客有点忐忑。我不知道对这门语言的掌握是不是还如我之前理解的那样,还是现在大家换了方式说话了?这听上去像是我说的话吗?你们知道我为什么把我的博客现发给你们吗?我想让你们监督我,我不能在这个博客上说假话,我要诚实。

original image by 汉堡黄, via Instagram


I kind of like this song. Honestly, I’ve never paid much attention to Chinese singers, but recently there really seem to be some great ones. Spotify keeps recommending Chinese artists to me, and that’s how I came across this song—“Crow”by Hamburger Huang. I looked into the styles and influences behind it, but I hadn’t heard of any of them before. It feels a bit strange—kind of modern, but also a bit like those early-2000s internet singers (wait, is that still called the millennium? I’m not sure—just something really retro, but I can’t put my finger on what exactly). It’s this blend of old and new, and I find it really interesting.

In China, it seems like this “old-meets-new” vibe is really trending lately—and to be fair, people are doing it well.

Even though I really don’t like her lyrics, it doesn’t ruin the rest of it. The song’s still great. I also really like her album cover, which was also chosen by Hamburger Huang herself. Everything about it really reflects her personality, her style, her preferences. I really love all of her choices—so stylized, so full of personal character. It’s genuinely refreshing. I feel like these female artists have such a promising future. They’re so talented. Applause.

Speaking of Hunan folks—somehow I randomly saw Qi Baishi’s paintings at the Asian Art Museum recently. That was really weird to me. I never go to that museum. But since my dad’s been here, I checked the museum website one day and saw that—wait, Qi Baishi?? What’s he doing here? It was super random. But that Saturday happened to be free admission, so as soon as we saw it, we rushed over. Total win.

Honestly, I think Qi Baishi’s paintings are just basic landscape stuff, but to show off, I still posted a bunch on IG. Some people seem to think we’re uncultured, so I wanted to flex.

Truthfully, I’m a little anxious about this blog post in Chinese. I don’t know if my grasp of the language is still what I thought it was… or maybe people talk differently now? Does this even sound like me? Do you know why I’ve been sending you my blog posts as I write them? I want you to hold me accountable. I can’t lie on this blog. I have to be honest.

I kind of like this song. Honestly, I’ve never paid much attention to Chinese singers, but recently there really seem to be some great ones. Spotify keeps recommending Chinese artists to me, and that’s how I came across this song—“Crow”by Hamburger Huang. I looked into the styles and influences behind it, but I hadn’t heard of any of them before. It feels a bit strange—kind of modern, but also a bit like those early-2000s internet singers (wait, is that still called the millennium? I’m not sure—just something really retro, but I can’t put my finger on what exactly). It’s this blend of old and new, and I find it really interesting.

In China, it seems like this “old-meets-new” vibe is really trending lately—and to be fair, people are doing it well.

Even though I really don’t like her lyrics, it doesn’t ruin the rest of it. The song’s still great. I also really like her album cover, which was also chosen by Hamburger Huang herself. Everything about it really reflects her personality, her style, her preferences. I really love all of her choices—so stylized, so full of personal character. It’s genuinely refreshing. I feel like these female artists have such a promising future. They’re so talented. Applause.

Speaking of Hunan folks—somehow I randomly saw Qi Baishi’s paintings at the Asian Art Museum recently. That was really weird to me. I never go to that museum. But since my dad’s been here, I checked the museum website one day and saw that—wait, Qi Baishi?? What’s he doing here? It was super random. But that Saturday happened to be free admission, so as soon as we saw it, we rushed over. Total win.

Honestly, I think Qi Baishi’s paintings are just basic landscape stuff, but to show off, I still posted a bunch on IG. Some people seem to think we’re uncultured, so I wanted to flex.

Truthfully, I’m a little anxious about this blog post in Chinese. I don’t know if my grasp of the language is still what I thought it was… or maybe people talk differently now? Does this even sound like me? Do you know why I’ve been sending you my blog posts as I write them? I want you to hold me accountable. I can’t lie on this blog. I have to be honest.

Feel free to share if you find this helpful

Feel free to share if you find this helpful

Feel free to share if you find this helpful

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。