DATE

3/15/2025

written by

Xiaoxin Sun

TIME

LOCATION

Oakland, CA

Who I am #4: death inspires a lot of art, but living inspires more

DATE

3/15/2025

written by

Xiaoxin Sun

TIME

LOCATION

Oakland, CA

Who I am #4: death inspires a lot of art, but living inspires more

DATE

3/15/2025

written by

Xiaoxin Sun

TIME

LOCATION

Oakland, CA

Who I am #4: death inspires a lot of art, but living inspires more

Death inspires a lot of art, but living inspires more. Last year, I got married, and funny story, is the same person I always thought I probably would marry but was not sure about for a long time. I’m still unsure about it, not because of him, but because I don’t have too much confidence in myself. Marriage is hard work, everyone says. I’m not good at working hard, I give up quickly, I’m easily daunted if I couldn’t be clueless, and I heard marriage was for life, “until death do us apart” they said. It sounded more like a curse than an oath. 

We walked in to the Alameda County Office on that day, thinking we could get our license that day, only to be told that we’d need to schedule for a ceremony, have at least one witness attending, and the officiating person representing the county doesn’t count. 

A witness? We asked around and a friend of his was nice enough to immediately agree to coming to be a witness, and said he “would be honored to do so”. The next day, I put on a white dress thrifted for $12, and he had some Korean oversized blazer with a thin silver chain. I was running late, but I had to take a hit, what am i doing, is this a good idea, lets do it anyway. 

Jack was in a very nice suit, he seemed excited. He’s doing the same with Emily soon. They were going to have a wedding in Big Sur. We grabbed the officiating person, and the four of us crammed into an elevator heading toward the ceremonial room on the second floor. “It’s not too late to back out!” The guy jokes. I looked at him dead in the eye, “that’s what divorces are for, right? “ 

I was very annoyed with the whole process, I don’t understand why they couldn’t just give me the license. What’s up with all these redundancies, I thought. What’s up wit the vow exchange and the kiss? Why am i being required to be seen at this intimate moment? Why are we saying until death do us apart, is that a good idea, are you sure, I’m not sure, but lets try it. 

It was a strange idea to me, witness, as if we were not seen by a third person we wouldn’t exist.  I didn’t understand the social implications of a marriage yet, and i didn’t want to. Let’s see how far it goes, I thought. I would like be an hopeless romantic, if I could, let me be.

Death inspires a lot of art, but living inspires more. Last year, I got married, and funny story, is the same person I always thought I probably would marry but was not sure about for a long time. I’m still unsure about it, not because of him, but because I don’t have too much confidence in myself. Marriage is hard work, everyone says. I’m not good at working hard, I give up quickly, I’m easily daunted if I couldn’t be clueless, and I heard marriage was for life, “until death do us apart” they said. It sounded more like a curse than an oath. 

We walked in to the Alameda County Office on that day, thinking we could get our license that day, only to be told that we’d need to schedule for a ceremony, have at least one witness attending, and the officiating person representing the county doesn’t count. 

A witness? We asked around and a friend of his was nice enough to immediately agree to coming to be a witness, and said he “would be honored to do so”. The next day, I put on a white dress thrifted for $12, and he had some Korean oversized blazer with a thin silver chain. I was running late, but I had to take a hit, what am i doing, is this a good idea, lets do it anyway. 

Jack was in a very nice suit, he seemed excited. He’s doing the same with Emily soon. They were going to have a wedding in Big Sur. We grabbed the officiating person, and the four of us crammed into an elevator heading toward the ceremonial room on the second floor. “It’s not too late to back out!” The guy jokes. I looked at him dead in the eye, “that’s what divorces are for, right? “ 

I was very annoyed with the whole process, I don’t understand why they couldn’t just give me the license. What’s up with all these redundancies, I thought. What’s up wit the vow exchange and the kiss? Why am i being required to be seen at this intimate moment? Why are we saying until death do us apart, is that a good idea, are you sure, I’m not sure, but lets try it. 

It was a strange idea to me, witness, as if we were not seen by a third person we wouldn’t exist.  I didn’t understand the social implications of a marriage yet, and i didn’t want to. Let’s see how far it goes, I thought. I would like be an hopeless romantic, if I could, let me be.

Feel free to share if you find this helpful

Feel free to share if you find this helpful

Feel free to share if you find this helpful

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。