DATE

3/13/2025

written by

Xiaoxin Sun

TIME

LOCATION

Oakland, CA

king of kowloon art

Who I am #0: Today

DATE

3/13/2025

written by

Xiaoxin Sun

TIME

LOCATION

Oakland, CA

king of kowloon art

Who I am #0: Today

DATE

3/13/2025

written by

Xiaoxin Sun

TIME

LOCATION

Oakland, CA

king of kowloon art

Who I am #0: Today

Since the first post made two friends really concerned with my mental health, I’d like to reintroduce you to the current me, so we are all on the same page. The current me is, for the most part, mentally stable, and a lot less often manic, still very substance-reliant but am getting better. Not too long ago, I had a depressive episode lasted almost 3 months. It brought me back the worst of memories, and got me back on Abilify which I was off for almost half a year. I doubled my sertraline dose, and now I feel fine. For the most part.

If I had to describe how I live my current life, it’d be I decide whatever I want to do each morning, and I do it. Sometimes I’m too ambitious, sometimes too lazy, but still basically all within a manageable range. Interesting enough, overwriting, but mostly not in English had me a little stressed out. I didn’t necessarily clock that as well as I should have.

Up until that point, I had barely spoken Chinese, whether it be Mandarin or other forms of it, letting alone writing in it, for maybe almost half a year, again. It prompted me to start listening to huge amounts of Mandarin podcasts. I was trying to practice Mandarin as much as I could. I wanted to make it a daily thing. But I’m not sure, am I holding onto the right things? Should I let it all go and let everything go burn in hell?

Last year, I found this musician duo called Sundial on instagram, as blunt as her lyrics might be, I think their stuff is quite nice. Because of all the TikTok ban drama, RedNote got a wave of its American users. Sundial joined Rednote, she posted about her feeling disconnected after returning back to Hong Kong, since a lot of her work pertains to her identity. Huge amounts of cyberbullying accusing her of being “dramatic” and “pretentious” flooded into her account. It made me quite upset. I don’t think any of these people know anything about the history of Hong Kong.

As upset as I was, I couldn't blame them, I didn’t know too much myself about it until recently. A half a year ago, I read “A Concise History of Hong Kong” by John M. Carroll,  American, published in 2007 (https://hkupress.hku.hk/image/catalog/pdf-preview/9789622098787.pdf). I randomly picked this up from the Oakland Public Library, Asian Branch. Apparently this version was a popular one. If I remember correctly, it talked about how “barren” Hong Kong was before the British took over, and how the British worked so hard over the 99 years to develop it, and how much the locals benefited from following their British counterparts social, legal and economic conventions, and how much the British helped Hong Kong grow. I thought that was it. It’s not until recently, I accidentally walked into a bookstore called Dog Eared (https://www.dogearedbooks.com) in the Mission. I realized this was where I got my first Ted Chiang book, so I took my time to look through everything I could until I got tired. I got a book on Hong Kong and a book on marriage. The Hong Kong book is called Indelible City: Dispossession and Defiance in Hong Kong by Louisa Lim (https://www.amazon.com/Indelible-City-Dispossession-Defiance-Hong/dp/0593191811), an Eurasian grew up in Hong Kong.

From what I’ve gathered, it is a completely different story from the one I read before.It’s a history that felt deeply personal, because she lived it, she knew it, she felt it. I got to know this performance artist who isn’t an artist really, just someone who’s gotten his land taken away by the British according to his family deeds. People ridiculed him, harassed him, followed him, embarrassed him, worshipped him, but he simply was, according to his account, the rightful owner of Kowloon. Nothing less, nothing more.

It was then that I understood the importance of narrative. The same event, completely different stories, which do you believe? Do you believe the seemingly well-researched, authoritative, cold, deadpan version? Or the one that’s deeply personal, filled with details and emotions? I’d believe the latter. And hopefully, I can give you enough details for you to know that I’m honest, I am telling the truth, this is who I am, this is how I am, to avoid further confusion. I’d like to take ownership of my own narrative. I’m tired of people telling me how I am, who I am.

This time, let me tell you, how I am, who I am.

image: artwork by Tsang Tsou-choi (King of Kowloon)

Since the first post made two friends really concerned with my mental health, I’d like to reintroduce you to the current me, so we are all on the same page. The current me is, for the most part, mentally stable, and a lot less often manic, still very substance-reliant but am getting better. Not too long ago, I had a depressive episode lasted almost 3 months. It brought me back the worst of memories, and got me back on Abilify which I was off for almost half a year. I doubled my sertraline dose, and now I feel fine. For the most part.

If I had to describe how I live my current life, it’d be I decide whatever I want to do each morning, and I do it. Sometimes I’m too ambitious, sometimes too lazy, but still basically all within a manageable range. Interesting enough, overwriting, but mostly not in English had me a little stressed out. I didn’t necessarily clock that as well as I should have.

Up until that point, I had barely spoken Chinese, whether it be Mandarin or other forms of it, letting alone writing in it, for maybe almost half a year, again. It prompted me to start listening to huge amounts of Mandarin podcasts. I was trying to practice Mandarin as much as I could. I wanted to make it a daily thing. But I’m not sure, am I holding onto the right things? Should I let it all go and let everything go burn in hell?

Last year, I found this musician duo called Sundial on instagram, as blunt as her lyrics might be, I think their stuff is quite nice. Because of all the TikTok ban drama, RedNote got a wave of its American users. Sundial joined Rednote, she posted about her feeling disconnected after returning back to Hong Kong, since a lot of her work pertains to her identity. Huge amounts of cyberbullying accusing her of being “dramatic” and “pretentious” flooded into her account. It made me quite upset. I don’t think any of these people know anything about the history of Hong Kong.

As upset as I was, I couldn't blame them, I didn’t know too much myself about it until recently. A half a year ago, I read “A Concise History of Hong Kong” by John M. Carroll,  American, published in 2007 (https://hkupress.hku.hk/image/catalog/pdf-preview/9789622098787.pdf). I randomly picked this up from the Oakland Public Library, Asian Branch. Apparently this version was a popular one. If I remember correctly, it talked about how “barren” Hong Kong was before the British took over, and how the British worked so hard over the 99 years to develop it, and how much the locals benefited from following their British counterparts social, legal and economic conventions, and how much the British helped Hong Kong grow. I thought that was it. It’s not until recently, I accidentally walked into a bookstore called Dog Eared (https://www.dogearedbooks.com) in the Mission. I realized this was where I got my first Ted Chiang book, so I took my time to look through everything I could until I got tired. I got a book on Hong Kong and a book on marriage. The Hong Kong book is called Indelible City: Dispossession and Defiance in Hong Kong by Louisa Lim (https://www.amazon.com/Indelible-City-Dispossession-Defiance-Hong/dp/0593191811), an Eurasian grew up in Hong Kong.

From what I’ve gathered, it is a completely different story from the one I read before.It’s a history that felt deeply personal, because she lived it, she knew it, she felt it. I got to know this performance artist who isn’t an artist really, just someone who’s gotten his land taken away by the British according to his family deeds. People ridiculed him, harassed him, followed him, embarrassed him, worshipped him, but he simply was, according to his account, the rightful owner of Kowloon. Nothing less, nothing more.

It was then that I understood the importance of narrative. The same event, completely different stories, which do you believe? Do you believe the seemingly well-researched, authoritative, cold, deadpan version? Or the one that’s deeply personal, filled with details and emotions? I’d believe the latter. And hopefully, I can give you enough details for you to know that I’m honest, I am telling the truth, this is who I am, this is how I am, to avoid further confusion. I’d like to take ownership of my own narrative. I’m tired of people telling me how I am, who I am.

This time, let me tell you, how I am, who I am.

image: artwork by Tsang Tsou-choi (King of Kowloon)

Feel free to share if you find this helpful

Feel free to share if you find this helpful

Feel free to share if you find this helpful

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。