DATE

4/1/25

written by

Xiaoxin Sun

TIME

1:45 PM

LOCATION

Oakland, CA

人间关系 #10:我们是孩子、不是傻子 / We Are Kids, Not Fools

DATE

4/1/25

written by

Xiaoxin Sun

TIME

1:45 PM

LOCATION

Oakland, CA

人间关系 #10:我们是孩子、不是傻子 / We Are Kids, Not Fools

DATE

4/1/25

written by

Xiaoxin Sun

TIME

1:45 PM

LOCATION

Oakland, CA

人间关系 #10:我们是孩子、不是傻子 / We Are Kids, Not Fools

我们是孩子,不是傻子。我们未成年、我们是青少年,但我们不是智力发展迟缓。我们知道自己想要什么,我们只是不确定。我甚至不知道不确定是不是正确的词,我认为我们是很确定、很确凿、很清晰的知道自己喜欢什么、讨厌什么,不要什么、想要什么。与其说不确定,不如说是担心这样的“想要”是不是被外界接受的,好比我喜欢女生、我喜欢看书、我不喜欢读书、不喜欢体制等等。

在学会做选择、了解自己喜好、以及使用策略博弈获得自己想要的青春期,尝试是必须、犯错是收获,没有什么不能做的。未来有的机会被整个世界、社会否定,还需要着急吗?我不能接受,永远无法接受的,是和泉这种长期强行阉割Daiga和美音自我的行为。她的时而温柔、时而严厉、时而挂羊头卖狗肉、时而甚至加尖酸刻薄,不断地以各种温柔的、不合理的借口,阉割Daiga和美音的ego。庆幸的是,Ryo进行了反击。虽然在不断的自我保护和反击中消耗了很多精力,但至少他保护住了自己的ego。

保护住ego不够,如果真的要毫无保留地成为你应该成为的那个人,你必须给自己足够的时间、空间去不断尝试,发展自我。你会发现最合适自己的生活方式,并且在那个方向越走越远,越来越独特、独立、自由、本真,越来越自在、快乐,越来越少事情会真的让你烦恼。

听上去很好,但很多人做不到的原因,是他们总有某些预定的想法,以为对的方向是某类别、某自己之前接触过的、熟悉的事情,但其实,你需要保持开放的心态,最适合你的路会在不经意之间展示开来。你需要不排除任何可能性,如果好奇,就追上。如果想继续尝试,就一直做到你不想做为止。你会发现你走了好远的路,但是你好像才刚刚开始。



We are children, not fools. We are minors, we are teenagers—but we are not developmentally delayed. We know what we want—we’re just unsure. Or actually, I don’t even know if “unsure” is the right word. I think we’re very certain, very clear, very precise about what we like and dislike, what we don’t want, what we do want. It’s not that we’re unsure—it’s more that we’re worried whether our desires will be accepted by the world. Like: I like girls. I like reading. I don’t like studying. I don’t like institutions. And so on.

For teenagers learning how to make choices, understand their preferences, and use strategy to get what they want—trial and error is essential. Making mistakes is the lesson. Nothing is off limits. There are already so many future opportunities that will be denied by the world and society—why rush to deny ourselves? What I cannot accept—what I will never be able to accept—is the way Izumi has spent years systematically castrating Daiga and Mion’s sense of self. Her shifting moods—gentle one moment, strict the next, fake and manipulative the next, even cutting and sarcastic at times—always wrapped in some soft, but ultimately unreasonable excuse, always eroding their egos in subtle ways. The only silver lining is that Ryo fought back. Even though the constant self-defense and resistance has cost him a lot of energy, at least he managed to protect his ego.

But protecting your ego isn’t enough. If you really want to become the person you were meant to be—with nothing held back—you need to give yourself the time and space to keep trying and developing. You will eventually discover the way of living that suits you best, and once you start down that road, you’ll only go further. You’ll become more unique, more independent, freer, more authentic. You’ll feel more at ease, more joyful, and fewer and fewer things will truly bother you.

That sounds nice—but many people can’t do it. And that’s because they hold on to certain fixed ideas. They think the “right” path has to look a certain way, or it has to be something familiar, something they’ve encountered before. But in truth, you have to keep an open mind. The path that fits you best will unfold itself when you least expect it. You can’t rule anything out. If you’re curious, go after it. If you want to keep trying, keep going until you no longer want to. One day you’ll look back and realize how far you’ve come—and yet it’ll feel like you’ve only just begun.

我们是孩子,不是傻子。我们未成年、我们是青少年,但我们不是智力发展迟缓。我们知道自己想要什么,我们只是不确定。我甚至不知道不确定是不是正确的词,我认为我们是很确定、很确凿、很清晰的知道自己喜欢什么、讨厌什么,不要什么、想要什么。与其说不确定,不如说是担心这样的“想要”是不是被外界接受的,好比我喜欢女生、我喜欢看书、我不喜欢读书、不喜欢体制等等。

在学会做选择、了解自己喜好、以及使用策略博弈获得自己想要的青春期,尝试是必须、犯错是收获,没有什么不能做的。未来有的机会被整个世界、社会否定,还需要着急吗?我不能接受,永远无法接受的,是和泉这种长期强行阉割Daiga和美音自我的行为。她的时而温柔、时而严厉、时而挂羊头卖狗肉、时而甚至加尖酸刻薄,不断地以各种温柔的、不合理的借口,阉割Daiga和美音的ego。庆幸的是,Ryo进行了反击。虽然在不断的自我保护和反击中消耗了很多精力,但至少他保护住了自己的ego。

保护住ego不够,如果真的要毫无保留地成为你应该成为的那个人,你必须给自己足够的时间、空间去不断尝试,发展自我。你会发现最合适自己的生活方式,并且在那个方向越走越远,越来越独特、独立、自由、本真,越来越自在、快乐,越来越少事情会真的让你烦恼。

听上去很好,但很多人做不到的原因,是他们总有某些预定的想法,以为对的方向是某类别、某自己之前接触过的、熟悉的事情,但其实,你需要保持开放的心态,最适合你的路会在不经意之间展示开来。你需要不排除任何可能性,如果好奇,就追上。如果想继续尝试,就一直做到你不想做为止。你会发现你走了好远的路,但是你好像才刚刚开始。



We are children, not fools. We are minors, we are teenagers—but we are not developmentally delayed. We know what we want—we’re just unsure. Or actually, I don’t even know if “unsure” is the right word. I think we’re very certain, very clear, very precise about what we like and dislike, what we don’t want, what we do want. It’s not that we’re unsure—it’s more that we’re worried whether our desires will be accepted by the world. Like: I like girls. I like reading. I don’t like studying. I don’t like institutions. And so on.

For teenagers learning how to make choices, understand their preferences, and use strategy to get what they want—trial and error is essential. Making mistakes is the lesson. Nothing is off limits. There are already so many future opportunities that will be denied by the world and society—why rush to deny ourselves? What I cannot accept—what I will never be able to accept—is the way Izumi has spent years systematically castrating Daiga and Mion’s sense of self. Her shifting moods—gentle one moment, strict the next, fake and manipulative the next, even cutting and sarcastic at times—always wrapped in some soft, but ultimately unreasonable excuse, always eroding their egos in subtle ways. The only silver lining is that Ryo fought back. Even though the constant self-defense and resistance has cost him a lot of energy, at least he managed to protect his ego.

But protecting your ego isn’t enough. If you really want to become the person you were meant to be—with nothing held back—you need to give yourself the time and space to keep trying and developing. You will eventually discover the way of living that suits you best, and once you start down that road, you’ll only go further. You’ll become more unique, more independent, freer, more authentic. You’ll feel more at ease, more joyful, and fewer and fewer things will truly bother you.

That sounds nice—but many people can’t do it. And that’s because they hold on to certain fixed ideas. They think the “right” path has to look a certain way, or it has to be something familiar, something they’ve encountered before. But in truth, you have to keep an open mind. The path that fits you best will unfold itself when you least expect it. You can’t rule anything out. If you’re curious, go after it. If you want to keep trying, keep going until you no longer want to. One day you’ll look back and realize how far you’ve come—and yet it’ll feel like you’ve only just begun.

Feel free to share if you find this helpful

Feel free to share if you find this helpful

Feel free to share if you find this helpful

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。