DATE

3/21/25

written by

Xiaoxin Sun

TIME

LOCATION

Oakland, CA

Mimi snack

I HEARD S*X SELLS #1 (爸妈:这段别看)

DATE

3/21/25

written by

Xiaoxin Sun

TIME

LOCATION

Oakland, CA

Mimi snack

I HEARD S*X SELLS #1 (爸妈:这段别看)

DATE

3/21/25

written by

Xiaoxin Sun

TIME

LOCATION

Oakland, CA

Mimi snack

I HEARD S*X SELLS #1 (爸妈:这段别看)

我很晚熟。小学三年级了,同班同学都成群结队的时候,我只敢粘着5岁就认识的杨岚。其实我依赖她还有别的原因,她是我的第一次性体验(对不起爸妈、19年回家你们告诉我她想加我微信、我没有通过)。我现在31岁了,我觉得我可以说了。我很晚熟,但是是情感上的,不是身体上的。

银园公寓的家是我小学之前搬进去的,离开长沙之前,我的所有记忆都与那个地点有关。隔壁的省图书馆、如果院子里没有车位、我爸总会停到那边,再走几步的湖南大剧院、看了不少电影、话剧、音乐会的地方,更远一点的育英小学,也是我的小学。那之前的记忆我都比较模糊了,大概只记得之前在另外某个楼下小卖部可以买到咪咪的地方(我在湾区也买到了、前一阵买了20包、已吃完),我喜欢蓝色的虾仁味。但搬来这里之后的所有事情,即便是偶尔想不起来,我也知道全都在我脑子里。

很长一段时间,都是我爸带我去上学、我爸带我放学,后来发展成了我爸的同事的小孩(现在想起来,应该是他拜托的)叫我去上学、我放学如果晚一点点、都会被父母开始连着给老师、同学打电话。我也没想到,只是一段不到10分钟的路,我竟然走了这么多年。


ChatGPT Translation:

I was a late bloomer.

By third grade, when all my classmates had formed little cliques, I still only clung to Yang Lan, who I’d known since I was five.

To be honest, there were other reasons I was so attached to her—she was also my first sexual experience.

(Sorry, Mom and Dad—when I came home in 2019 and you told me she wanted to add me on WeChat, I didn’t accept.)

I’m 31 now. I think I can say this.

I was a late bloomer—but emotionally, not physically.


The home in Yinyuan Apartment was where we moved before I started elementary school, and before we left Changsha, all my memories were tied to that place.

The provincial library next door—if there weren’t any parking spaces in the courtyard, my dad would always park there instead.

Just a few steps farther was the Hunan Grand Theatre, where I watched movies, plays, and concerts.

A bit beyond that was Yuying Elementary School, where I went to school.

My memories before that are pretty blurry—I only vaguely remember a small shop under a different apartment building where I used to buy MiMi snacks.

(I found them again here in the Bay Area—I bought 20 packs not long ago. All gone now. I like the blue shrimp flavor.)

But everything that happened after we moved into Yinyuan, even the parts I can’t always recall clearly—I know they’re all still in my mind.


For a long time, it was always my dad who took me to school and picked me up.

Later, one of his colleague’s kids (who I now suspect he asked to look after me) started walking with me.

If I came home even a little late after school, my parents would start calling the teacher, classmates—everyone.

It’s funny now to think:

It was a walk of less than ten minutes.

And yet I spent so many years walking it.

我很晚熟。小学三年级了,同班同学都成群结队的时候,我只敢粘着5岁就认识的杨岚。其实我依赖她还有别的原因,她是我的第一次性体验(对不起爸妈、19年回家你们告诉我她想加我微信、我没有通过)。我现在31岁了,我觉得我可以说了。我很晚熟,但是是情感上的,不是身体上的。

银园公寓的家是我小学之前搬进去的,离开长沙之前,我的所有记忆都与那个地点有关。隔壁的省图书馆、如果院子里没有车位、我爸总会停到那边,再走几步的湖南大剧院、看了不少电影、话剧、音乐会的地方,更远一点的育英小学,也是我的小学。那之前的记忆我都比较模糊了,大概只记得之前在另外某个楼下小卖部可以买到咪咪的地方(我在湾区也买到了、前一阵买了20包、已吃完),我喜欢蓝色的虾仁味。但搬来这里之后的所有事情,即便是偶尔想不起来,我也知道全都在我脑子里。

很长一段时间,都是我爸带我去上学、我爸带我放学,后来发展成了我爸的同事的小孩(现在想起来,应该是他拜托的)叫我去上学、我放学如果晚一点点、都会被父母开始连着给老师、同学打电话。我也没想到,只是一段不到10分钟的路,我竟然走了这么多年。


ChatGPT Translation:

I was a late bloomer.

By third grade, when all my classmates had formed little cliques, I still only clung to Yang Lan, who I’d known since I was five.

To be honest, there were other reasons I was so attached to her—she was also my first sexual experience.

(Sorry, Mom and Dad—when I came home in 2019 and you told me she wanted to add me on WeChat, I didn’t accept.)

I’m 31 now. I think I can say this.

I was a late bloomer—but emotionally, not physically.


The home in Yinyuan Apartment was where we moved before I started elementary school, and before we left Changsha, all my memories were tied to that place.

The provincial library next door—if there weren’t any parking spaces in the courtyard, my dad would always park there instead.

Just a few steps farther was the Hunan Grand Theatre, where I watched movies, plays, and concerts.

A bit beyond that was Yuying Elementary School, where I went to school.

My memories before that are pretty blurry—I only vaguely remember a small shop under a different apartment building where I used to buy MiMi snacks.

(I found them again here in the Bay Area—I bought 20 packs not long ago. All gone now. I like the blue shrimp flavor.)

But everything that happened after we moved into Yinyuan, even the parts I can’t always recall clearly—I know they’re all still in my mind.


For a long time, it was always my dad who took me to school and picked me up.

Later, one of his colleague’s kids (who I now suspect he asked to look after me) started walking with me.

If I came home even a little late after school, my parents would start calling the teacher, classmates—everyone.

It’s funny now to think:

It was a walk of less than ten minutes.

And yet I spent so many years walking it.

Feel free to share if you find this helpful

Feel free to share if you find this helpful

Feel free to share if you find this helpful

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。

sunnyspaceundefined@duck.com

website designed by Daiga Shinohara

©2025 Xiaoxin Sun, All rights reserved

I’m an independent creator born in 1993 in Changsha, now based in California. My writing started from an urgent need to express. Back in school, I often felt overwhelmed by the chaos and complexity of the world—by the emotions and stories left unsaid. Writing became my way of organizing my thoughts, finding clarity, and gradually, connecting with the outside world.


Right now, I’m focused on writing and filmmaking. My blog is a “real writing experiment,” where I try to update daily, documenting my thoughts, emotional shifts, observations on relationships, and my creative process. It’s also a record of my journey to becoming a director. After returning to China in 2016, I entered the film industry and worked in the visual effects production department on projects like Creation of the Gods I, Creation of the Gods II, and Wakanda Forever, with experience in both China and Hollywood. Since 2023, I’ve shifted my focus to original storytelling. I’m currently developing several scripts and will shoot when the time feels right. You can check out my IMDb: https://m.imdb.com/name/nm12651401/.


I’m currently revising my first script. It’s not grand in scale, but it’s deeply personal—centered on memory, my father, and the city. I want to make films that belong to me, and to our generation: grounded yet profound, sensitive but resolute. I believe film is not only a form of artistic expression—it’s a way to intervene in reality.

我是1993年出生于长沙的自由创作者,现居加州。我的写作起点来自一种“必须表达”的冲动。学生时代,我常感受到世界的混乱与复杂,那些没有被说出来的情绪和故事让我感到不安。写作是我自我整理、自我清晰的方式,也逐渐成为我与外界建立连接的路径。


我目前专注于写作和电影。我的博客是一个“真实写作实验”,尽量每天更新,记录我的思考、情绪流动、人际观察和创作过程。我16年回国之后开始进入电影行业,曾在视效部门以制片的身份参与制作《封神1》《封神2》《Wankanda Forever》等,在中国和好莱坞都工作过,23年之后开始转入创作,目前正在创作一些剧本,时机合适的时候会拍。可以看下我的imdb:https://m.imdb.com/name/nm12651401/


我正在重新回去修改我第一个剧本——它并不宏大,却非常个人,围绕记忆、父亲与城市展开。我想拍属于我、也属于我们这一代人的电影:贴地而深刻,敏感又笃定。我相信电影不只是艺术表达,它也是一种现实干预。